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Are You Forcing Yourself?
by Alan Watts
 You
might say that not-forcing is the second principle of the Tao -- the spontaneous
or of-itself-so activity (tzu-jan) being the first. In Chinese the second
principle is called wu wei, and it means literally "not doing," but would be
much better translated to give it the spirit of "not forcing" or "not
obstructing." In reference to the Tao it is the sense that the activity of
nature is not self-obstructive. It all works together as a unity and does not,
as it were, split apart from itself to do something to itself.
Wu wei is also applied to human activity, and refers to a person who does not
get in his or her own way. One does not stand in one's own light while working,
and so the way of wu wei (this sounds like a pun but it isn't) is the way of
non-obstruction or noninterference. This is the preeminently practical Taoist
principle of life.
What I mean by forcing yourself is something like this: When children in
school are supposed to be paying attention to the teacher, their thoughts will
go wandering all over the place, and the teacher will soon get angry and say,
"Pay attention." And the children will wrap their legs around the legs of the
chair, and they will stare at the teacher and try to look frightfully
intelligent. But what happens was expressed very well in a cartoon I saw the
other day: A small boy is standing and looking at his teacher and saying, "I'm
sorry, I didn't hear what you were saying because I was listening so hard." In
other words, when we try to be loving, or to be virtuous, or to be sincere, we
actually think about trying to do it in the same way the child was trying to
listen, tightening up his muscles and trying to look intelligent as he thought
about paying attention. But he wasn't thinking about what the teacher is saying,
and therefore he wasn't really listening at all. This is a perfect example of
what is meant by blocking yourself or getting in your own light.
To offer another illustration of it, suppose you are cutting wood. If you go
against the way the tree grew, that is to say against the grain of the wood, the
wood is very difficult to cut. If you go with the grain, however, it splits
easily. Or again, in sawing wood, some people are in a great hurry to get on
with sawing and they try and power right through the piece. But what happens?
When you turn the board over you see the back edge of the wood is full of
splinters, and you find that you are rather tired as well. Any skilled carpenter
will tell you, "Let the saw do the work, let the teeth do the cutting." And you
find that by going at it quite easily, and just allowing the blade to glide back
and forth, the wood is easily cut.
As our own proverb says, "Easy does it." And wu wei means easy does it. Look
out for the grain of things, the way of things. Move in accord with it and work
is thereby made simple.
The Skill of Living Effortlessly
In one book the philosopher Chuang-tse tells a wonderful story about a
butcher who was able to keep the same chopper for twenty years because he was
always careful to let the blade fall on the interstices between the bones. And
so in this way he never wore it out.
Once again we see that the person who learns the kind of activity which is,
shall we say, in accord with the Tao, is said to possess virtue. This peculiar
Chinese sense of virtue is called Te, but it is not virtue in quite our ordinary
sense of being good. Te is like our word virtue when it is used more in the
sense of the healing virtues of a plant. When we use the word virtue in this way
it really designates an extraordinary kind of skill at living. And in his book
Lao-tzu says the superior kind of virtue is not conscious of itself as virtue,
and thus really is virtue. But the inferior kind of virtue is so anxious to be
virtuous that it loses its virtue altogether.
We often come upon the kind of virtuous person who is self-consciously
virtuous, who has, you might say, too much virtue. These are the sorts of people
who are a perpetual challenge to all their friends, and when you are in their
presence you feel they are so good that you don't know quite what to say. And so
you are always, as it were, sitting on the edge of your chair and feeling a
little bit uncomfortable in their presence. In a Taoist way of speaking, this
kind of person stinks of virtue, and doesn't really have any virtue at all.
The truly virtuous person is unobtrusive. It is not that they are affectedly
modest; instead they are what they are quite naturally. Lao-tzu says that the
greatest intelligence appears to be stupidity, the greatest eloquence sounds
like a stammer, and the greatest brightness appears as if it were dull. And of
course this is a kind of paradoxical way of saying that true virtue, Te, is the
living of human life in such a fashion as not to get in its own way.
This is the thing we all admire and envy so much about children. We say that
they are naive, that they are unspoiled, that they are artless, and that they
are unself-conscious. When you see a little child dancing who has not yet
learned to dance before an audience, you can see the child dancing all by
itself, and there is a kind of completeness and genuine integrity to their
motion.
When the child then sees that parents or teachers are watching, and learns
that they may approve or disapprove, the child begins to watch itself while
dancing. All at once the dancing becomes stiff, and then becomes artful, or
worse, artificial, and the spirit of the child's dance is lost. But if the child
happens to go on studying dance, it is only after years and years that, as an
accomplished artist, the dancer regains the naivete and the naturalness of their
original dance. But when the naturalness is regained it is not just the simple,
we could say embryonic, naturalness of the child, completely uncultivated and
untutored. Instead it is a new kind of naturalness that takes into itself and
carries with itself years and years of technique, know-how, and experience.
In all this you will see that there are three stages. There is first what we
might call the natural or the childlike stage of life in which
self-consciousness has not yet arisen. Then there comes a middle stage, which we
might call one's awkward age, in which one learns to become self-conscious. And
finally the two are integrated in the rediscovered innocence of a liberated
person.
Of course there is a tremendous advantage in this, because one must ask, if
you are enjoying life without knowing that you are enjoying it, are you really
enjoying it? And here, of course, consciousness offers an enormous advantage.
But there is also a disadvantage, even a danger, in developing it, because as
consciousness grows, and as we begin to know how to look at ourselves and beyond
ourselves, we may start over and over again, and cause much interference with
ourselves. This is when we begin to get in our own light.
You know how it is when you get in your own light or get in your own way --
when it becomes desperately essential that you hurry to catch a train or plane,
for example, instead of your muscles being relaxed and ready to run, your
anxiety about not getting there in time immediately stiffens you up and you
start stumbling over everything. It is the same sort of thing on those days when
everything goes absolutely wrong. First of all, when you're driving to the
office, all the traffic lights are against you. Of course this irritates you,
and because of your irritation you become more tense and more uptight in your
way of handling things, and this leads to mistakes. It could lead to being so
furious and going so fast that the police stop you, and so on and so forth. It
is this way of battering against life, as it were, that ties it up in knots.
And so, the secret in Taoism is to get out of one's own way, and to learn
that this pushing ourselves, instead of making us more efficient, actually
interferes with everything we set about to do.
This
article is excerpted from What Is Tao?, ©2000, by Alan Watts. Reprinted
with permission of the publisher, New World Library, Novato, CA 94949.
www.newworldlibrary.com
Info/Order this book.
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About the Author
 Alan
Watts was born in England in 1915. Beginning at age sixteen, he developed a
reputation as a foremost interpreter of Eastern philosophies for the West. He
became widely recognized for his Zen writings and for
The Book: On the Taboo Against Knowing Who You Are.
In all, Watts wrote more than
twenty-five books and
recorded hundreds of lectures and seminars. He died in 1973 at his home in
northern California. A complete list of his books and tapes may be found at
www.alanwatts.com.
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